Mos\u0117d\u017eio ba\u017eny\u010dioje (Skuodo r.) stovi vienas did\u017eiausi\u0173 istorini\u0173\u00a0instrument\u0173 \u017demaitijoje. Tai \u2013 romantinio stiliaus vargonai v\u0117lyvojo\u00a0baroko\/klasicizmo fasadu. \u0160ie vargonai jungia keli\u0173 meistr\u0173 darbus: fasad\u0105 1819 m.\u00a0suk\u016br\u0117 ne\u017einomas meistras, o instrument\u0105 ~1895 m. pastat\u0117 meistras\u00a0Friedrichas Weissenbornas i\u0161 J\u0117kabpilio (Latvija). Apie tai, kad vargonai buvo pastatyti 1819 m., u\u017efiksuota\u00a0Mos\u0117d\u017eio ba\u017eny\u010dios 1845 m. vizitacijoje:<\/p>\n

\u201echore stovi 1819 m. padaryti vargonai\u201c [1]<\/p><\/blockquote>\n

Dvibok\u0161t\u012f prospekt\u0105 sudaro septyni\u0173 element\u0173 kompozicija \u2013 du auk\u0161ti \u0161oniniai bok\u0161tai, centrinis \u017eemesnis bok\u0161tas ir keturi laukeliai. Tai i\u0161rai\u0161kinga klasicistin\u0117 Vilniaus mokykl\u0105 reprezentuojan\u010dio barokinio prospekto kartot\u0117, tiksliausiai aptinkama \u017demal\u0117s <\/a>(1839) ba\u017eny\u010dios vargonuose [2].<\/p>\n

Senasis Mos\u0117d\u017eio ba\u017eny\u010dios vargon\u0173 instrumentas nei\u0161liko. Vargonuose\u00a0i\u0161liko senieji\u00a0prospektiniai registro Principal 8\u2019<\/em> vamzd\u017eiai, o ba\u017eny\u010dios pal\u0117p\u0117je i\u0161liko vienos oro skirstymo d\u0117\u017e\u0117s fragmentai, kuriuos i\u0161tyrus nustatyta, kad senuosiuose\u00a0vargonuose buvo 11 registr\u0173, diapazonas C\u2013f\u2019\u2019\u2019.<\/p>\n

Apie 1890 m. u\u017e senojo prospekto naujus vargonus (2 manualai, pedalai, 20 registr\u0173) sumontavo meistras Friedrichas Weissenbornas i\u0161 J\u0117kabpilio (Latvija). Tai liudija grie\u017eykloje esanti firmin\u0117 emblema su meistro pavarde: F. Weissenborn\/ Jacobstadt<\/em>. Mos\u0117d\u017eio ba\u017eny\u010dios 1897 m. vizitacijoje minimi \u201enauji vargonai\u201c [3].<\/p>\n

Tai did\u017eiausi meistro Weissenborno vargonai\u00a0Lietuvoje ir vienas paskutini\u0173 jo darb\u0173. Taip teigiama, kadangi\u00a0vargon\u0173 antro manualo vamzdyno spintoje buvo aptiktas spausdintas\u00a0reklaminis Weissenborno firmos darb\u0173 s\u0105ra\u0161as su meistro pastatytais vargonais nuo\u00a01865 m. iki 1893 m. (paskutinis darbas nurodytas kaip op. 84). \u0160iame s\u0105ra\u0161e Mos\u0117d\u017eio\u00a0ba\u017eny\u010dios vargon\u0173 n\u0117ra, o v\u0117liausi \u017einomi Weissenborno vargonai datuojami 1895 m. Tod\u0117l manoma, kad Mos\u0117d\u017eio ba\u017eny\u010dios vargonus\u00a0Weissenbornas pastat\u0117 po 1893 iki 1895 m.<\/p>\n

Vargon\u0173 fasado strukt\u016broje ir puo\u0161yboje vyrauja v\u0117lyvojo baroko ir klasicizmo\u00a0bruo\u017eai. Prospekto languose stovi original\u016bs senojo instrumento\u00a0(1819), manoma, registro Principal 8\u2019<\/em> bosiniai alaviniai vamzd\u017eiai.<\/p>\n

Profesionali\u0173\u00a0meistr\u0173 sukurtas originali\u0173 menz\u016br\u0173 vamzdynas pateikia \u012fdom\u0173 ir\u00a0turting\u0105 romantinio instrumento skambes\u012f. Instrument\u0105 sudaro du manualai, pedalai ir 20 registr\u0173. Vargonai turi dar vien\u0105, 21-\u0105 registr\u0105 Harmonika 8\u2019<\/em>, kur\u012f sudaro laisvo virp\u0117jimo lie\u017euv\u0117liai\u00a0(b\u016bdingi fisharmonijai ar akordeonui). Ta\u010diau registras neveikia, yra po grie\u017eykla ir balkono\u00a0grindimis.<\/p>\n

2013 m. vargonus i\u0161 dalies restauravo meistras Antanas \u0160auklys i\u0161\u00a0Panev\u0117\u017eio \u2013 jis sutvark\u0117 mechanin\u0119 instrumento trakt\u016br\u0105, dumples ir\u00a0p\u016btimo sistem\u0105 (oro skirstymo d\u0117\u017e\u0117s ir vamzdynas nerestauruoti).<\/p>\n

Grie\u017eykla vargon\u0173 centre.<\/p>\n

Dumpl\u0117s lygiagre\u010dios, stovi greta vargon\u0173.<\/p>\n

Oro skirstymo d\u0117\u017e\u0117s i\u0161ilgin\u0117s, trakt\u016bra mechanin\u0117.<\/p>\n

[1] LVIA, f. 669, ap. 2, b. 267,\u00a0l. 297.<\/p>\n

[2]\u00a0Pana\u0161\u016bs dviej\u0173 bok\u0161t\u0173 dominant\u0119 i\u0161laikantys klasicistiniai vargon\u0173 prospektai yra Degu\u010di\u0173 <\/a>(19th c. Beg.), Varput\u0117n\u0173 (18th c. End\u201319th c. Beg.), Luok\u0117s <\/a>(1854) ba\u017eny\u010diose.<\/p>\n

[3]\u00a0LVIA, f. 669, ap. 3, b. 1410, l. 80.<\/p><\/blockquote>\n

\n
• Stoplist<\/a><\/li>\n
• Fa\u00e7ade<\/a><\/li>\n
• Console<\/a><\/li>\n
• Pipes<\/a><\/li>\n
• Bellows<\/a><\/li>\n
• Media<\/a><\/li>\n<\/ul>\n\n
  \nStoplist<\/b><\/span><\/span><\/p>\n

  Dispozicija grie\u017eykloje (~1895, Friedrich Weissenborn)
  \n<\/em><\/p>\n\n\n\n\n\n

  I manual, HW<\/strong> (C\u2013f\u2019\u2019\u2019) a\u2019 ~440 Hz<\/td>\n	II manual, Positiv\u00a0<\/strong>(C\u2013f\u2019\u2019\u2019)<\/td>\n	Pedal<\/strong> (C\u2013c\u2019)<\/td>\n<\/tr>\n
  Bordun \nPrincipal \nGambe \nSpitzfl[\u00f6te]. \nHohlfl[\u00f6te]. \nOctave \nFl\u00f6te \nKornett \nMixtur \nTrompet<\/td>\n	16\u2019 \n8\u2019 \n8\u2019 \n8\u2019 \n8\u2019 \n4\u2019 \n4\u2019 \n3\u2019 \n3\u2019 \n8\u2019<\/td>\n	Gedackt \nAeoline \nFugara \nOctave \nFl\u00f6te \nPiano \n* Harmonika<\/td>\n	16\u2019 \n8\u2019 \n8\u2019 \n4\u2019 \n4\u2019 \n8\u2019 \n8\u2019<\/td>\n	Bass \nViolon \nBass \nFl\u00f6te<\/td>\n	16\u2019 \n16\u2019 \n8\u2019 \n8\u2019<\/td>\n<\/tr>\n
  Spielhilfen:<\/strong> \nJalousieschweller II;\u00a0Manualkoppel;\u00a0Pedalkoppel<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n * Registras Harmonika<\/em> neveikia\/atjungtas.<\/p><\/blockquote>\n <\/div>\n\n \nFa\u00e7ade<\/b><\/span><\/p>\n Vargon\u0173 prospektas: 545\u00a0x 450\u00a0x 220\u00a0cm<\/p>\n <\/a>\u00a0<\/a>\u00a0<\/a><\/p>\n <\/div>\n\n \nConsole<\/b><\/span><\/p>\n <\/a><\/p>\n <\/div>\n\n \nPipes<\/b><\/span><\/p>\n <\/a>\u00a0<\/a>\u00a0<\/a>\u00a0<\/a><\/p>\n <\/a>\u00a0<\/a><\/p>\n <\/div>\n\n \nBellows<\/b><\/span><\/p>\n <\/a><\/p>\n <\/div>\n\n \nMedia<\/b><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n Audio<\/strong><\/td>\n Panorama<\/strong><\/td>\n<\/tr>\n <\/a><\/strong><\/td>\n Ped = Bass 16\u2019, Flbass 8\u2019<\/p>\n Pos = Fug 8\u2019, Piano 8\u2019, O 4\u2019, Fl 4\u2019<\/p>\n HW = P 8\u2019, HlFl 8\u2019, Fl 4\u2019, Corn 3\u2019<\/td>\n <\/a><\/td>\n<\/tr>\n Georg B\u00f6hm.\u00a0Vater unser im Himmelreich<\/em><\/p>\n Balys Vaitkus, VPC CD 002<\/a><\/strong><\/td>\n<\/tr>\n <\/a><\/td>\n Pos = Piano 8\u2019, Aeol 8\u2019, Fl 4\u2019<\/p>\n HW = P 8\u2019<\/td>\n<\/tr>\n Johann Gottfried Walther.\u00a0Concerto del Signor Taglietti<\/em> B-dur, I d.\u00a0Adagio<\/em><\/p>\n Balys Vaitkus, VPC CD 002<\/a><\/strong><\/td>\n<\/tr>\n <\/a><\/td>\n Pos = Fug 8\u2019, Piano 8\u2019, O 4\u2019, Fl 4\u2019<\/p>\n HW = P 8\u2019, Gb 8\u2019, SpFl 8\u2019, HlFl 8\u2019,\u00a0O 4\u2019, Fl 4\u2019<\/td>\n<\/tr>\n Johann Gottfried Walther.\u00a0Concerto del Signor Taglietti<\/em> B-dur, II d. Allegro<\/em><\/p>\n Balys Vaitkus, VPC CD 002<\/a><\/strong><\/td>\n<\/tr>\n <\/a><\/td>\n Ped = Violon 16\u2019, Bass 16\u2019<\/p>\n Pos = Fug 8\u2019, Piano 8\u2019, Aeol 8\u2019,\u00a0Fl 4\u2019; HW = SpFl 8\u2019, HlFl 8\u2019, Fl 4\u2019<\/td>\n<\/tr>\n Johann Gottfried Walther.\u00a0Concerto del Signor Taglietti<\/em> B-dur, III d.\u00a0Adagio<\/em><\/p>\n Balys Vaitkus, VPC CD 002<\/a><\/strong><\/td>\n<\/tr>\n <\/a><\/td>\n Tutti<\/td>\n<\/tr>\n Johann Gottfried Walther.\u00a0Concerto del Signor Taglietti<\/em> B-dur, IV d.\u00a0Allegro<\/em><\/p>\n Balys Vaitkus, VPC CD 002<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n  <\/p>\n <\/div>\n\n<\/p>\n","protected":false},"excerpt":{"rendered":" Skuodo\u00a0district, Klaip\u0117dos\u00a0region \u0160v. arkangelo Mykolo\u00a0ba\u017eny\u010dia Skuodo\u00a0deanery, Tel\u0161i\u0173\u00a0diocese Master Date Perstatymai, remontai Instrument Action ne\u017einomas \/ Friedrich Weissenborn 1819 \/ ~1895 20th c. pab., 2013 1 manualas, 11 registr\u0173 \/ 2 manualai, pedalai, 20 registr\u0173 mechanin\u0117 Mos\u0117d\u017eio ba\u017eny\u010dioje (Skuodo r.) stovi vienas did\u017eiausi\u0173 istorini\u0173\u00a0instrument\u0173 \u017demaitijoje. Tai \u2013 romantinio stiliaus vargonai v\u0117lyvojo\u00a0baroko\/klasicizmo fasadu. \u0160ie vargonai jungia keli\u0173 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":12,"menu_order":60,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1033","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t