<\/p>\n

\u0160eduvos ba\u017eny\u010dios vargonai datuojami remiantis 1792 m. ba\u017eny\u010dios inventoriaus informacija apie naujus vargonus: In choro Organum Novum a vocibus … [toliau tu\u0161\u010dia vieta] [1]. 1806 m. \u0160eduvos ba\u017eny\u010dios vizitacijoje ra\u0161oma apie naujus 14 bals\u0173 vargonus [2]. Veikiausiai kartu su 12 registr\u0173 suskai\u010diuoti \u017evaig\u017ediniai varpeliai ir akustinis b\u016bgnas, nes 1815 m. \u0160eduvos ba\u017eny\u010dios inventoriuje teigiama, kad \u201echore yra 12 bals\u0173 vargonai su keturiomis dumpl\u0117mis, … reikalauja remonto\u201c [3].<\/p>\n

\u0160i\u0173 barokini\u0173 vargon\u0173 architekt\u016broje bene i\u0161rai\u0161kingiausiai \u012fk\u016bnyta\u00a0tipin\u0117 Vilniaus v\u0117lyvojo baroko vargondirbyst\u0117s mokyklos meistrams b\u016bding\u0173 vargon\u0173 prospekt\u0173 forma (2 auk\u0161ti \u0161oniniai bok\u0161tai, 1 \u017eemesnis centrinis bok\u0161telis bei keturi bok\u0161tus jungiantys laukeliai lenktais karnizais), dar aptinkama tokiuose Lietuvos vargonuose kaip\u00a0Vilniaus \u0160v. Jurgio <\/a>(~1760\u20131770), Vilniaus Vis\u0173 \u0160vent\u0173j\u0173<\/a> (~1770), Joni\u0161kio<\/a> (~1770\u20131780, Mol\u0117t\u0173 r.), Jiezno<\/a> (~1770\u20131780), Kauno Evangelik\u0173 liuteron\u0173 <\/a>(18th c. End),\u00a0Tver\u0173 <\/a>(~1800), Sedos <\/a>(1803),\u00a0Apytalaukio<\/a> (19th c. Beg. \/ po 1807) ba\u017eny\u010diose ar Vilniaus meistr\u0173 darbuose Latvijoje \u2013 La\u0161iuose<\/a> (1798) ir L\u0117no<\/a> kaime (1809).<\/p>\n

Ant vargon\u0173 \u0161onini\u0173 did\u017ei\u0173j\u0173 bok\u0161t\u0173\u00a0\u012fkomponuotos vazos formos konsol\u0117s, kurios taip pat b\u016bdingos kitiems to meto Lietuvos vargonams (pavyzd\u017eiui, Rozalimo<\/a>,\u00a0Dap\u0161ioni\u0173<\/a>, Piva\u0161i\u016bn\u0173<\/a> ir Vidsod\u017eio <\/a>ba\u017eny\u010diose). \u0160eduvos ba\u017eny\u010dios\u00a0vargon\u0173 puo\u0161yba pana\u0161i \u012f Tytuv\u0117n\u0173 <\/a>ba\u017eny\u010dios vargon\u0173 (1789, Nicolaus Jantzon<\/a>) ornamentik\u0105:\u00a0voliutiniai sparnai, gaubti sparneliai, skiauter\u0117mis apipintos riest\u0117s, stilizuot\u0173 dro\u017eli\u0173 ir kriaukli\u0173 ornament\u0173 s\u0105junga. Akivaizd\u016bs \u0160eduvos ir Tytuv\u0117n\u0173 <\/a>vargon\u0173 did\u017ei\u0173j\u0173 sparn\u0173 ir laukeli\u0173 puo\u0161ybos ikonografiniai pana\u0161umai leid\u017eia manyti, kad \u0161iuos vargonus gal\u0117jo apipavidalinti vienos dro\u017e\u0117j\u0173 dirbtuv\u0117s ar net tas pats meistras.<\/p>\n

1890 m. u\u017e seno prospekto J\u0117kabpilio (dab. Latvija, Jekabpils; vok. Jacobstadt) meistras Friedrichas Weissenbornas sumontavo naujus vargonus\u00a0(2 manualai, pedalai, 16 registr\u0173). Tai liudija \u012fra\u0161as pie\u0161tuku vargon\u0173 viduje:<\/p>\n

Friedrich<\/em>
\n Wei\u00dfenborn<\/em>
\n aus Jacobstadt<\/em>
\n erbaut<\/em>
\n im 1890<\/em><\/p><\/blockquote>\n

Autenti\u0161kas instrumentas nei\u0161liko.\u00a0Akustinio b\u016bgno ir \u017evaig\u017edini\u0173 varpeli\u0173 \u012frenginiai nei\u0161liko.\u00a0Autenti\u0161ki i\u0161liko tik prospektiniai registro Principal 8\u2019<\/em> vamzd\u017eiai.<\/p>\n

[1] LVIA , f. 1671, ap. 4, b. 3, l. 118.
\n[2]\u00a0LVIA , f. 669, ap. 2, b. 221, l. 473.
\n[3]\u00a0LVIA , f. 1671, ap. 4, b. 3, l. 98.<\/p><\/blockquote>\n

\n
• Stoplist<\/a><\/li>\n
• Fa\u00e7ade<\/a><\/li>\n
• Media<\/a><\/li>\n<\/ul>\n\n
  \nStoplist<\/b><\/span><\/p>\n

  Dispozicija grie\u017eykloje (1890, Friedrich Weissenborn)<\/em><\/p>\n\n\n\n\n\n

  I manualas<\/strong> (C\u2013f\u2019\u2019\u2019)<\/td>\n	II manualas<\/strong><\/td>\n	Pedalai<\/strong> (C\u2013d’)<\/td>\n<\/tr>\n
  Bordun \nPrincipal \nGamba \nFl\u00fcte \nOctave \nFl\u00fcte \nTrompete \nMixtur<\/td>\n	16\u2019 \n8\u2019 \n8\u2019 \n8\u2019 \n4\u2019 \n4\u2019 \n8\u2019 \n3 fach<\/td>\n	Geigenprincipal \nOctave \nFugara \nGedeckt \nOffenfl\u00fcte<\/td>\n	8\u2019 \n4\u2019 \n4\u2019 \n8\u2019 \n8\u2019<\/td>\n	Principalbass \nOctavbass \nPosaune<\/td>\n	16\u2019 \n8\u2019 \n16\u2019<\/td>\n<\/tr>\n
  Akustinis b\u016bgnas \/ Pauke<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n\n \nFa\u00e7ade<\/b><\/span><\/p>\n Vargon\u0173 prospektas: 530 x 400 x 175 cm<\/p>\n <\/a>\u00a0<\/a>\u00a0<\/a>\u00a0<\/a><\/p>\n <\/a>\u00a0<\/a>\u00a0<\/a>\u00a0<\/a><\/p>\n <\/a>\u00a0<\/a>\u00a0<\/a>\u00a0<\/a><\/p>\n <\/div>\n\n \nMedia<\/b><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n Audio<\/strong><\/td>\n Panorama<\/strong><\/td>\n<\/tr>\n <\/td>\n <\/td>\n <\/a><\/td>\n<\/tr>\n <\/td>\n <\/td>\n<\/tr>\n <\/td>\n <\/td>\n<\/tr>\n <\/td>\n <\/td>\n<\/tr>\n <\/td>\n <\/td>\n<\/tr>\n <\/td>\n <\/td>\n<\/tr>\n <\/td>\n <\/td>\n<\/tr>\n <\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n\n<\/p>\n","protected":false},"excerpt":{"rendered":" Radvili\u0161kio\u00a0district, \u0160iauli\u0173\u00a0region \u0160v. Kry\u017eiaus Atradimo\u00a0ba\u017eny\u010dia Radvili\u0161kio\u00a0deanery, \u0160iauli\u0173\u00a0diocese Master Date Repair, rebuilding Instrument Action ne\u017einomas iki 1792 1890 (Friedrich Weissenborn) 1 manualas, 12\u00a0registr\u0173, varpeliai, b\u016bgnas \/\u00a02 manualai, pedalai, 16 registr\u0173 mechanin\u0117 \u0160eduvos ba\u017eny\u010dios vargonai datuojami remiantis 1792 m. ba\u017eny\u010dios inventoriaus informacija apie naujus vargonus: In choro Organum Novum a vocibus … [toliau tu\u0161\u010dia vieta] [1]. 1806 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":18,"menu_order":60,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1497","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t