$\"Nicolaus$ <\/a>

Nicolaus Jantzon, 1781\/1783, Budslav<\/p><\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Vilniaus arkikatedros vargon\u0173 puo\u0161ybai b\u016bdingos i\u0161ry\u0161kintos C formos riest\u0117s, jos perauga \u012f vingresnes formas, augal\u0173 \u0161akeles. Kaip ir daugelyje barokini\u0173 vargon\u0173 prospekt\u0173, \u010dia bok\u0161tus remia kartu\u0161in\u0117s konsol\u0117s, \u0161onus puo\u0161ia pailgi voliutiniai sparnai. I\u0161t\u012fsusi\u0173 sparn\u0173 \u0161onuose ai\u0161kiai susipina riest\u0117s, sparn\u0173 vingiai pa\u012fvairinami karpyt\u0173 skiauteri\u0173 juostomis. Tokie skiauteri\u0173 ir ries\u010di\u0173 motyvai derinami Semeli\u0161ki\u0173 ba\u017eny\u010dios <\/a>vargon\u0173 prospekte, bet pastarojo dro\u017eyba paprastesn\u0117 ir plok\u0161tesn\u0117. Pana\u0161\u016bs, \u012f skiauteres ir lapus peraugantys liepsneli\u0173 ir dro\u017eli\u0173 motyvai aptinkami Budslavo ba\u017eny\u010dios <\/a>vargon\u0173 prospekte.<\/p>\n

Skulpt\u016br\u0173 stilistika yra trij\u0173 skirting\u0173 laikotarpi\u0173, karalius Dovydas sukurtas gerokai anks\u010diau u\u017e kitas skulpt\u016bras. Neatmestina prielaida, kad Dovydo skulpt\u016bra gal\u0117jo priklausyti 1729 m. Vilniaus katedroje pastatytiems vargonams, apie kuriuos 1743 m. vizitacijos dokumente ra\u0161oma: \u201eVargonai 8 bals\u0173, \u012frengimas paprasto darbo, vir\u0161uje karaliaus Dovydo statula\u201c.\u00a0Senieji katedros vargonai nei\u0161liko, ta\u010diau tik\u0117tina, kad senoji skulpt\u016bra buvo saugoma katedroje, o XIX a. viduryje pastatyta ant dabartini\u0173 vargon\u0173. Kitos skulpt\u016bros v\u0117lesn\u0117s: angeliukas (am\u016bras) prospekto viduryje gal\u0117jo atsirasti po 1857 m. rekonstrukcijos, keturios skulpt\u016bros vargon\u0173 vir\u0161uje \u2013 po 1888\u20131889 m. meistro Radavi\u010diaus atliktos rekonstrukcijos [3].<\/p>\n

Juozapas Radavi\u010dius u\u017e prapl\u0117sto vargon\u0173 prospekto pastat\u0117 nauj\u0105 instrument\u0105, o senasis instrumentas buvo perduotas Naujojo Daug\u0117li\u0161kio ba\u017eny\u010diai.\u00a0I\u0161 Jantzono<\/a>\u00a0vargon\u0173 N. Daug\u0117li\u0161kyje i\u0161liko dalis medini\u0173 vamzd\u017ei\u0173, o oro d\u0117\u017e\u0117s bei dauguma vamzd\u017ei\u0173, manoma, yra XIX a. vidurio (1857).<\/p>\n

Tarp Vilniaus arkikatedros\u00a0ir Budslavo ba\u017eny\u010dios<\/a>\u00a0vargon\u0173 bendra dar ir\u00a0tai, kad abu tur\u0117jo po du manualus, pirmo ir antro manualo vamzdynai buvo sumontuoti viename tarpsnyje, pedal\u0173 nebuvo (Jano Galicziaus straipsnyje ra\u0161oma, kad \u012f Vilniaus arkikatedr\u0105\u00a0i\u0161 Vilniaus augustin\u0173 ba\u017eny\u010dios buvo perkelti dviej\u0173 manual\u0173 vargonai, o pedalai sumontuoti v\u0117liau [4]). 1857 m. perstatant Vilniaus arkikatedros\u00a0vargonus, buvo panaudota ir sen\u0173 vamzd\u017ei\u0173, tod\u0117l tik\u0117tina, kad po perstatymo dviejuose manualuose liko ir autenti\u0161k\u0173 registr\u0173. Galicziaus straipsnyje 1861 m. yra u\u017efiksuota to meto vargon\u0173 dispozicija (2 manualai, pedalai, 24 registrai), joje\u00a0daug sutapim\u0173 su Budslavo ba\u017eny\u010dios<\/a> vargon\u0173 dispozicija. Apie\u00a0Vilniaus arkikatedros\u00a0autenti\u0161k\u0173 vargon\u0173 dispozicij\u0105 minima\u00a0Augustin\u0173 ba\u017eny\u010dios 1820 m. vizitacijoje:\u00a0vargonai turi 2 manualus,\u00a020 bals\u0173 ir 4 dideles dumples [5].\u00a0Gali b\u016bti, kad autenti\u0161kas instrumentas tur\u0117jo\u00a018 registr\u0173, varpelius\u00a0ir b\u016bgn\u0105, nes visus susumavus gautume\u00a020 bals\u0173.<\/p>\n

Originali grie\u017eykla buvo vargon\u0173 prospekto centre.<\/p>\n

Originale buvo ketverios plei\u0161tin\u0117s dumpl\u0117s.<\/p>\n

Autenti\u0161kas instrumentas nei\u0161liko. Originaliuose\u00a0vargonuose pirmo ir antro manualo vamzdynai buvo i\u0161d\u0117styti viename lygyje: centre \u2013\u00a0antras manualas, \u0161onuose \u2013 pirmas manualas.<\/p>\n

[1]\u00a0Jan Galicz. \u201eO organach w Wilnie\u201c. In: Ruch muzyczny<\/em>, Warszawa, 1861, No. 8, p. 117\u2013122, No. 9, p. 129\u2013132.<\/p>\n
[2] I\u0161sami Vilniaus arkikatedros vargon\u0173 analiz\u0117 paskelbta\u00a0Gir\u0117no Povilionio monografijoje The Late Baroque Organ Building Art in the Grand Duchy of Lithuania. <\/a><\/em>Vilnius: Vargon\u0173 paveldo centras, 2013<\/a>, p. 221\u2013229.<\/p>\n
[3] Juozapo Radavi\u010diaus atlikta vargon\u0173 rekonstrukcija minima archyviniame dokumente:\u00a0LVIA , f. 604, ap. 4, b. 4156.<\/p>\n
[4]\u00a0Jan Galicz …, No. 9, p. 129.<\/p>\n
[5]\u00a0LVIA, f. 694, ap. 1, b. 3671, l. 218v.<\/p><\/blockquote>\n
\n
Stoplist<\/a><\/li>\n
Fa\u00e7ade<\/a><\/li>\n
Pipes<\/a><\/li>\n
Pastatas<\/a><\/li>\n
Media<\/a><\/li>\n<\/ul>\n\n
\nStoplist<\/b><\/span><\/span><\/p>\n
Dabartin\u0117 dispozicija grie\u017eykloje (1969,\u00a0Alexander Schuke Orgelbau Potsdam<\/span>)<\/em><\/p>\n\n\n\n\n\n\n\n
HW \/ I manualas<\/strong> (C\u2013g”’)<\/td>\n SW \/ II manualas<\/strong> (C\u2013g”’)<\/td>\n<\/tr>\n
Bordun
\nPrincipal
\nRohrfl\u00f6te
\nGambe
\nOktave
\nHohlfl\u00f6te
\nQuinte
\nOktave
\nCornett
\nGross-Mixtur
\nKlein-Mixtur
\nTrompete
\nTrompete<\/td>\n 16′
\n8′
\n8′
\n8′
\n4′
\n4′
\n2 2\/3′
\n2′
\n3-4 f.
\n6-7 f.
\n4 f.
\n16′
\n8′<\/td>\n Quintadena
\nPrincipal
\nKoppelfl\u00f6te
\nSalicional
\nOktave
\nHolzfl\u00f6te
\nDulzfl\u00f6te
\nSesquialtera
\nWaldfl\u00f6te
\nNassat
\nMixtur
\nCymbel
\nBombard
\nSchalmei
\nTremulant<\/td>\n 16′
\n8′
\n8′
\n8′
\n4′
\n4′
\n4′
\n2-3 f.
\n2′
\n1 1\/3′
\n5 f.
\n3 f.
\n16′
\n8′
\n–<\/td>\n<\/tr>\n
OW \/ III manualas<\/strong> (C\u2013g”’)<\/td>\n Pedalai<\/strong> (C\u2013f’)<\/td>\n<\/tr>\n
Gedackt
\nQuintadena
\nPrincipal
\nRohrfl\u00f6te
\nOktave
\nTerz
\nQuinte
\nOktave
\nScharff
\nVox humana
\nTremulant<\/td>\n 8′
\n8′
\n4′
\n4′
\n2′
\n1 3\/5′
\n1 1\/3′
\n1′
\n4 f.
\n8′
\n–<\/td>\n Untersatz
\nPrincipal
\nSubbass
\nPrincipalbass
\nGedacktbass
\nOktave
\nBauernfl\u00f6te
\nBass – Zink
\nMixtur
\nPosaune
\nTrompete
\nClairon<\/td>\n 32′
\n16′
\n16′
\n8′
\n8′
\n4′
\n2′
\n3 f.
\n6 f.
\n16′
\n8′
\n4′<\/td>\n<\/tr>\n
II \/ I;\u00a0<\/span>III \/ I;\u00a0<\/span>I \/ P;\u00a0<\/span>II \/ P<\/span><\/p>\n
Free combinations ABCD (D divided for manuals and pedal); Pedal combination E<\/p>\n
Plenum, Zungen ab, HR zu Plenum, Cymbelstern<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Archyvin\u0117 dispozicija (1861, pagal Jano Galicziaus apra\u0161ym\u0105) *<\/em><\/p>\n\n\n\n\n
Klawiatura 1sza<\/strong><\/td>\n Klawiatura 2ga<\/strong><\/td>\n Peda\u0142y<\/strong><\/td>\n<\/tr>\n
1. Bordun
\n2. Pryncypa\u0142
\n3. Flaut major
\n4. Salicet
\n5. Trompet
\n6. Flaut minor
\n7. Fletravers
\n8. Octava
\n9. Quinta
\n10. Mixtura<\/td>\n 16\u2019
\n8\u2019
\n8\u2019
\n8\u2019
\n8\u2019
\n4\u2019
\n4\u2019
\n4\u2019
\n3\u2019
\n000<\/td>\n 1. Flet major
\n2. Quintadena
\n3. Vox humana
\n4. Unda maris
\n5. Jula
\n6. Pryncypa\u0142 amabilis
\n7. Flassflet
\n8. Octava<\/td>\n 8\u2019
\n8\u2019
\n8\u2019
\n8\u2019
\n4\u2019
\n4\u2019
\n2\u2019
\n2\u2019<\/td>\n 1. Bordun
\n2. Pryncypa\u0142
\n3. Flaut major
\n4. Salicet
\n5. Trompet
\n6. Flaut minor<\/td>\n 16\u2019
\n8\u2019
\n8\u2019
\n8\u2019
\n8\u2019
\n4\u2019<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
* Jan Galicz\u00a0…, No. 9, p. 130.<\/span><\/p><\/blockquote>\n
<\/div>\n\n
\nFa\u00e7ade<\/b><\/span><\/p>\n
Vargon\u0173 prospektas:\u00a0790 x 868 x 160 cm (autenti\u0161koji dalis \u2013\u00a0550 x 575 x 160)<\/p>\n
$\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a><\/p>\n
$\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a><\/p>\n
$\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra\"$ <\/a><\/p>\n
<\/div>\n\n
\nPipes<\/b><\/span><\/p>\n
Vilniaus arkikatedros senojo vargon\u0173 instrumento vamzd\u017eiai, mechanikos dalys, i\u0161likusios Naujojo Daug\u0117li\u0161kio ba\u017eny\u010dios vargonuose<\/p>\n
$\"Naujasis$ <\/a>\u00a0 $\"Naujasis$ <\/a>\u00a0 $\"Naujasis$ <\/a>\u00a0 $\"Naujasis$ <\/a><\/p>\n
$\"Naujasis$ <\/a>\u00a0 $\"Naujasis$ <\/a>\u00a0 $\"Naujasis$ <\/a>\u00a0 $\"Naujasis$ <\/a><\/p>\n
$\"Naujasis$ <\/a><\/p>\n
<\/div>\n\n
\nPastatas<\/b><\/span><\/p>\n
$\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Vilnius_Arkikatedra$ <\/a>\u00a0 $\"Eskizas$ <\/a><\/p>\n
<\/div>\n\n
\nMedia<\/b><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
Audio<\/strong><\/td>\n Panorama<\/strong><\/td>\n<\/tr>\n
<\/td>\n <\/td>\n $\"Vilnius_Arkikatedra$ <\/a><\/td>\n<\/tr>\n
<\/td>\n <\/td>\n<\/tr>\n
<\/td>\n <\/td>\n<\/tr>\n
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<\/div>\n\n<\/p>\n","protected":false},"excerpt":{"rendered":"
Vilnius\u00a0region Cathedral Basilica of St. Stanislaus and St. Vladislav Vilnius deanery, Vilnius archdiocese Master Date Repair, rebuilding Instrument Action Nicolaus Jantzon\u00a0(?) 1780\u201385 1857, 1889 (Juozapas Radavi\u010dius), 20th c. 1st h. (Wac\u0142aw Biernacki), 1969 (Alexander Schuke Orgelbau Potsdam) 2 manualai, 18\/20 registr\u0173, varpeliai, b\u016bgnas \/ 3\u00a0manualai, pedalai, 49\u00a0registrai mechanin\u0117 \/ mechanin\u0117-elektropneumatin\u0117 \u0160iandien Vilniaus arkikatedroje stovintys vargonai […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":5,"menu_order":210,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1900","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t